1928/29

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Best Picture:

  • The Broadway Melody
  • Alibi
  • The Hollywood Revue of 1929
  • In Old Arizona
  • The Patriot

Best Director:

  • Frank Lloyd for The Divine Lady
  • Lionel Barrymore for Madame X
  • Harry Beaumont for The Broadway Melody
  • Irving Cummings for In Old Arizona
  • Frank Lloyd for Drag
  • Ernst Lubitsch for The Patriot
  • Frank Lloyd for Weary River

Best Actor

  • Warner Baxter for In Old Arizona
  • George Bancroft for Thunderbolt
  • Chester Morris for Alibi
  • Paul Muni for The Valiant
  • Lewis Stone for The Patriot

Best Actress

  • Mary Pickford for Coquette
  • Ruth Chatterton for Madame X
  • Betty Compston for The Barker
  • Corrinne Griffith for The Divine Lady
  • Bessie Love for The Broadway Melody

As before I haven’t heard of a single one of these films, though from a quick check on Wikipedia it looks as though there could be a few musicals in there which I’m definitely excited for!

1927/28 – Review

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I was pleasantly surprised by my first (and quite probably last) foray into silent films. Some weren’t my cup of tea at all but a few of them really resonated with me. The Last Command was phenomenal. Emil Jennings thoroughly deserved his Oscar and it’s a real shame there’s no existing copies of his other winning film, The Way of All Flesh.

Sadie Thompson, Speedy, and Two Arabian Knights were also a class above anything involving prostitutes. There was a couple I’d watch again and a couple I’d happily forget all about. Either way, watching that many silent films was an experience, one I’d be quite happy to repeat.

It’s unthinkable to me that such a thing as a ‘lost film’ exists. Or rather, doesn’t exist. Hopefully there won’t be too many more.

Favourite – The Last Command

Least Favourite – The Patent Leather Kid

1927/28 – Lost Films

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Sorrell and Son – 1927

The Way of All Flesh – 1927

The Noose – 1928

Sadly I had to miss three films out of my first batch of Oscar nominated films.

Sorrell and Son is mostly intact but with damaged reels and one completely missing.

The Way of All Flesh is considered a completely lost film with no copies in existence.

The Noose has one copy at the museum of modern art in New York. I think that’s as good a reason as any to go there!

I’ll be keeping an eye out for them, in the hope a copy is found but I’m not optimistic.